Although two more weeks remain in this, the Two Thousand and Eighth Year of Our Lord, I’m jumping the gun and doing my year end Best Of music list right now. And owing to my laziness our ongoing economic nosedive, this one won’t be 30 items long like last year’s. How about a Top 10?
In another break with Ghosts of Lists Past, this one is also unranked. I just couldn’t choose a final order, and there wasn’t one dominant album that I favored above all rivals. These are just the ten cd’s I found myself playing more than all other new releases in 2008.
You’re welcome.
The Black Keys – Attack & Release
After reaching the stylistic limitations of the guitar/drums garage rock duo, the guys must’ve sensed things were getting stale. So they brought in Danger Mouse to produce, and he threw the kitchen sink at it: keyboards, banjos, samples, bass (finally!) The band responded by bringing their best songs to date. The result is their magnum opus.
TV on the Radio – Dear Science
These guys have the hardest job of anyone on the list: following up a masterpiece. The awe-inspiring Return to Cookie Mountain might just be the best damn album of this entire decade. Dear Science doesn’t quite scale those rarefied heights, but it’s very good nonetheless. “Golden Age,” in particular, might be the single of the year.
Metallica – Death Magnetic
Yeah, I’m as shocked as you are. After releasing a series of classic albums (and one genre-defining masterpiece) in the 80’s, Metallica went on a 20 year losing streak: from The Black Album on, every release was worse than the one before it. They tried new styles, haircuts, albums with gobs of sperm on the cover, group therapy, and finally, nu metal. All were unmitigated disasters. I gave up on them for good…and then Rick Rubin dialed the clock back to 1986, and suddenly Metallica rock again.
Q-Tip – The Renaissance
We’ve been waiting almost ten years for this, the second solo album from the former Tribe Called Quest leader. It was totally worth the wait: relaxed, confident, catchy, and optimistic, with just enough sonic curveballs to keep it from getting boring or predictable. Hip hop for grownups! What a concept.
The Aliens – Luna
The late, lamented Beta Band may be long gone, but three quarters of its former lineup press on as The Aliens. While the Betas mixed their psychedelia with trip hop and electronic elements, their progeny ditch modernity and go straight for the Sgt. Pepper at the Gates of Dawn vibe. And truth be told, Beatlesque space rock sounds pretty fresh in 2008.
Eagles of Death Metal – Heart On
Here’s your party album of the year. Josh Homme’s side project to Queens of the Stone Age has gradually taken on a life of its own, now on its third album of sleazy, smarmy, tongue-in-cheek Stones-worshipping boogie. This time around, they’ve mixed bits of new wave, glam, and even funk in with their cock rock. This is the album that Chinese Democracy could and should have been, if only Axl Rose wasn’t such a flaming douchebag tortured artist.
Opeth – Watershed
What Metallica was to the 80’s, Opeth are to the 00’s: a band that towers over all others in their genre and remakes it in their own image. On this release, they’ve toned down the death metal portion of the folk rock/death metal hybrid they created and perfected. There’s quite a bit less growling than on previous efforts, but it’s still heavy as hell. Just don’t expect a quick listen: tracks average over nine minutes each.
The Roots – Rising Down
Here’s another group attempting to follow up their masterpiece. This one is quite a bit darker than 2006’s transcendent Game Theory. The raps are angrier, and the classic soul samples have largely disappeared. But it’s informed, articulate anger, the anger of people who want the world to be better—now.
Fucked Up – The Chemistry of Common Life
Once upon a time, punk rock was dangerous. Then, Green Day and Rancid and Sum 41 and their countless followers shat onto the scene, and punk instantly became safe and sucky. Fucked Up aims to make it dangerous and angry again. In the process, they’ve managed to invent their own genre. I don’t even know what to call it: “prog-punk?” This might be the first punk album ever to open with a flute solo, and it still rocks like eighty seven bastards.
Black Mountain – In the Future
Twenty-something Canadian kids mixing equal parts Pink Floyd and Pavement. What could be better?
The best of the rest:
Flogging Molly – Float
The Raconteurs – Consolers of the Lonely
The Melvins – Nude With Boots
Sigur Rós – Með suð í eyrum við spilum endalaust
Drive-By Truckers – Brighter Than Creation’s Dark